Review of Evil Dead Rise and its interesting plot points

Evil Dead Rise

Evil Dead Rise is an upcoming horror movie set to be released in 2023. The movie is a sequel to the 2013 remake of the 1981 cult classic, The Evil Dead. The movie follows a group of survivors who are forced to fight for their lives against an ancient evil that has been unleashed upon the world.

The movie stars Alyssa Sutherland, Lily Sullivan, and Samara Weaving as the main protagonists. The movie is directed by Lee Cronin and produced by Sam Raimi, Rob Tapert, and Bruce Campbell.

The movie promises to be a thrilling and terrifying experience for horror fans. The movie is sure to feature plenty of gore and jump scares, as well as some intense action sequences. The movie also promises to explore the themes of good vs. evil, as well as the power of friendship and loyalty.

Overall, Evil Dead Rise looks to be an exciting and terrifying horror movie that will keep fans on the edge of their seats. With a talented cast and crew, as well as a great story, this movie is sure to be a hit when it is released in 2023.

Evil Dead Rise will hit theaters on April 21

Writing and directing a sequel to a beloved horror series is no easy feat, despite how easy Lee Cronin made it look with Evil Dead Rise. The sequel to the iconic Deadites and boomsticks series is just as sinister as Fede Alvarez’s extremely sinister 2013 remake/sequel, opening the door for future entries to explore the lore along the way. interesting ways and owns its place in the series as an indie horror bomb. Cronin’s ability to make the Evil Dead its own signature (like Raimi’s famous “Demon Vision” zoom camera) makes Rise its own three-headed monster. It’s insanely scary, morbidly hilarious, and a chilling killer.

Rise finds a comfortable middle ground between 2013’s Evil Dead that ripped your heart out and Sam Raimi’s funnier sequel trilogy. Cronin’s special effects team challenges the worst mutilation scenes of the entire series with creepy realistic effects when swallowed glass shards protrude from the body or the elevator spews out waves. blood wave. Rise somehow keeps up with the reported 70,000 gallons of health Fede Alvarez used in 2013’s Evil Dead while engaging in a more heartfelt but still traumatic battle against the Deadites, who regained some of it. Raimi’s comedy and uses that dark humor to contrast with the darkest dives.

Alyssa Sutherland frantically teases single mother Ellie, our new patient Zero Deadite. After brilliantly transforming into this hellish vessel of evil, she manipulates her mother’s voice during her playtime as a sick ploy to mock whatever remains in her mind. her soul. Sutherland spits out some funny but also quirky lines like “Now I’m with the maggots!” attacked even harder when chased by a rotting smile like a nightmare. She puts on Deadite’s acting performance by enduring a cryogenic bodily horror while laughing hysterically around discarded corpses.

Sutherland puts on Deadite’s acting performance by enduring a body horror that makes one scream while giggling hysterically.

However, Rise isn’t as comedy as Evil Dead II, and the setup is truly unsettling. Cronin’s newly introduced Necronomicon, bolted with jagged teeth resembling venus fly traps, unleashes Deadite’s similarly merciless profanities on the three children of Ellie and her visiting sister Beth. Neighbors trapped on the same floor as Ellie’s apartment consider themselves fodder to keep murders plentiful, but it’s her family who endure the attacks. the most physical, psychological and surreal, ghastly weapons that turn everything from cheese graters to razor-sharp staffs with doll heads. made by the youngest daughters (“Staffanie” will be a fan favorite). Lily Sullivan plays Beth as a powerful hero to Ellie’s villain Deadite, and alongside Morgan Davies as Danny, the apprentice DJ,

Cronin doesn’t lose any of his ruthless Necronomicon action by leaving the isolated woodland setting for a messy apartment complex in Los Angeles. In the same way that Scream VI used New York City as a new urban setting for familiar Ghostface raids, Rise translates Deadite’s signature brutality into the claustrophobic confines of a boxy rental apartment with just a few rooms. Instead of roads or bridges becoming unusable, the damaged building became a death trap with dilapidated stairs, broken elevators, and exposed wires that looked like vines on the ground. tree – that’s clearly an indication of a recognizable possession from Evil Dead, Evil Dead II and Evil Dead (2013). Cronin is smart and precise about how he honors images from previous films without completely copying, as he dominates the challenge of solving problems in a Necronomicon way’

Deadite’s wide range of depraved extremes ensures no scene leaves us breathless.

As a standalone horror movie, Rise brings the thunder with an array of depraved Deadite extremes that ensure no scene allows us to catch our breath. When Ellie’s inside her apartment, she’s crawling out of vents with homage paid to the Hereditary wall scare or bounding around the apartment giddily trying to slaughter her loved ones. When she’s locked outside, we watch through the front door’s peephole as the possessed mamma dispatches floormates like she’s out for a Tuesday stroll. Cronin keeps the pedal pressed hard as ejected all sorts of colored fluids or gallons upon gallons of blood pour from fresh wounds, all while Ellie does the Necronomicon’s bidding with a joyful skip in her step. Rise hardly relents as the ferocity of unspeakable violence only becomes gorier and more graphic – and that’s even before Cronins throttles into a third act that births a brand-new canon “final boss” that highlights the morbid imagination this franchise encourages.

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